Test your film knowledge with fifty questions from a variety of iconic films, all with varying difficulties. Available via this link to Kahoot!
Challenge your family and friends for the best experience.
Test your film knowledge with fifty questions from a variety of iconic films, all with varying difficulties. Available via this link to Kahoot!
Challenge your family and friends for the best experience.
Personally, I feel this year in film has been a bit of a mixed-bag, as while I do feel we’ve had our fair share of great films this year, I also feel we’ve had plenty of disappointing entries as well. Obviously I haven’t seen every film this year, and I will most likely update this list as time goes on. But for now, in no particular order, here’s my thoughts on a variety of films I saw this year.
Without a doubt one of my favourite films of the year: ‘Joker’ directed by Todd Philips (The Hangover, Old School, War Dogs) is an interesting take on the comic book genre. Focusing more on being an engaging character piece with themes of untreated metal illness rather than your usual barrage of CGI action and explosions, all shown through some beautiful cinematography and an eerie original score.
Director Rian Johnson proves himself a brilliant filmmaker once again after his smash-hit: ‘Looper’, as although I personally wasn’t a enormous fan of: ‘Star Wars: The Last Jedi’. I knew this director had talent elsewhere, and this was proven to me by ‘Knifes Out’. A hilarious and clever twist on the classic murder mystery, with some great performances from the huge cast, plenty of plot twists and a well-written narrative. I feel you’d struggle not to enjoy ‘Knifes Out’.
Standing out mostly for the fantastic performances from the all-star cast of Adam Driver and Scarlett Johansson, director Noah Baumbach takes on this wonderful story of a couple broken apart by relationship troubles and long distances. Which despite the filmmaking not be anything outstanding, still manages to be engaging, emotional and very enjoyable from start-to-finish.
Easily one of the worst films I’ve seen this year, ‘The Silence’ directed by John R. Leonetti, mostly known for the awful: ‘Annabelle’ and ‘Wish Upon’. Is another generic horror with weak performances, dreadful CGI effects and a plot which feels as if it’s been ripped straight from: ‘A Quiet Place’ released back in 2018.
Le Mans ’66 (Ford v Ferrari)
After directing one of my favourite films of 2017: ‘Logan’, director James Mangold now takes on the real-life story of the creation of one of the fastest race cars ever built in order to win the iconic: ‘Le Mans ’66’. Featuring some excellent performances from main cast in addition to some great cinematography and high-fueled racing scenes, ‘Le Mans ’66’ is a true thrill-ride of a film.
Toy Story 4
‘Toy Story 4’ is definitely one of the most disappointing films of the year for me, as the original ‘Toy Story’ trilogy is (in my opinion) near perfect, and this film seems to do nothing but continue the story for the sake of it. As although the animation is incredible throughout the film, and the performances and original score are also pretty great, the narrative and character-arcs simply let the film down, and make it the weakest of the ‘Toy Story’ series for me.
I Am Mother
This slick science fiction thriller had me excited for quite sometime leading up to it’s release. However, when I eventually watched: ‘I Am Mother’ I found myself a little disappointed. As the beautiful visuals and solid sci-fi soundtrack are sadly let down by a drawn-out and sometimes bland story. As while not boring by any means, I felt the film was a bit of wasted potential overall.
It: Chapter 2
Director Andy Muschietti returns to once again bring the demonic clown: ‘Pennywise’ to life in this sequel to the ‘It’ remake from 2017. This time around however, I personally found the film to be a bit of a let down. As although there were plenty of entertaining scenes and great character moments throughout the film’s extremely long run-time, there were also plenty of ridiculous moments alongside the barrage of enormous CGI monsters.
Going off the initial reviews, I originally had high hopes for: ‘Crawl’, hoping it would be an extremely tense, edge of your seat kind of experience. But unfortunately, the film felt like a mostly standard thriller by the end of it’s run-time. Having nothing more than a few tense scenes and a couple of effective jump-scares to make up for it’s weak CGI effects and mostly dull characters.
While definitely not on the same level as many other of director Danny Boyle’s films, ‘Yesterday’ was still a pretty entertaining feel good comedy which I felt had an enjoyable up-beat tone, and enough likable characters to carry it through many of it’s cheesy moments and sometimes overly predictable story.
This year’s first entry from the usual barrage of pointless live-action Disney remakes: ‘Aladdin’ is exactly what I expected it to be. The classic story most know and love but incredibly dulled-down, trying to capture the adventure of the original film through an enormous amount of CGI visuals, nostalgia and a new cast lead by Will Smith which are all rather bland.
Despite ‘Velvet Buzzsaw’ not quite being the hilarious, gory and extremely weird horror/comedy I was initially hoping for, in addition to going off the back of director Dan Gilroy’s other film: ‘Nightcrawler’ (which is one of my all-time favourites). I still found the film interesting enough throughout it’s story to keep me watching, despite it not being overly memorable in it’s entirety.
Marvel finally bring their enormous franchise of superhero flicks to an end (for now that is) with ‘Avengers: Endgame’, a blockbuster spectacular which gives many viewers the conclusion they’ve been desiring for many years, and although it isn’t one of my personal favourite Marvel films, I enjoyed: ‘Avengers Endgame’ for what it was. As the film provides some endings for characters alongside plenty of comedic moments, fan service and thrilling action set pieces.
Dolemite Is My Name
Based on the real-life story of Rudy Ray Moore, Eddie Murphy makes his awaited return to film after a long break. As this brilliant comedy/drama makes all the right moves to keep it’s audience engaged within it’s story through plenty of humour, style and emotion throughout it’s run-time.
Jumanji: The Next Level
A sequel to ‘Jumanji: Welcome to the Jungle’ from 2017, as well as the original ‘Jumanji’ from 1995. ‘Jumanji: The Next Level’ is very similar to the previous instalment in regards to it’s tone and story (with some elements mixed-up of course), and despite some humour and story moments going a little too over-the-top for my taste. The film is still enjoyable enough for those seeking another fun family adventure from this franchise.
Godzilla: King of the Monsters
Unable to actually decide what I thought of the film initially, ‘Godzilla: King of the Monsters’ is a true mixed-bag of a blockbuster, having some fantastic monster action with flawless CGI effects and a surprisingly ranged colour palette be completely bogged down by weak characters, cheesy moments and at points, a very messy story.
Once Upon a Time in… Hollywood
Director Quentin Tarantino returns to the sliver screen once again with ‘Once Upon a Time in Hollywood’. Bringing us a slight subversion of some of his usual film tropes, to focus more on a story of a man seeking his return to fame in Hollywood, all shown through some beautiful cinematography and an excellent 1960s soundtrack.
John Wick: Chapter 3 – Parabellum
In another one of this year’s biggest disappointments, ‘John Wick: Chapter 3 – Parabellum’ is the third entry in the ‘John Wick’ series. Which sadly, leaves a lot to be desired, as many of the trilling and well-executed action scenes are dragged down by a messy and uninteresting story, as well as a variety of out-of-place comedic moments.
Star Wars – Episode IX: The Rise of Skywalker
Arguably the most disappointing film of the year for many, ‘Star Wars: The Rise of Skywalker’ attempted to close the enormous legacy of the ‘Star Wars’ saga, which unfortunately failed quite miserably. As overly fast pacing and a messy narrative didn’t save the film despite it’s fun moments and exciting action scenes, further proving that this franchise needs a short rest before it’s inevitable return.
Spider-Man: Far From Home
Most likely my favourite Marvel film of this year, ‘Spider-Man: Far From Home’ hardly breaks new ground when it comes to superhero flicks. But the main cast’s great performances mixed with plenty of exciting action and a surprisingly interesting antagonist, leave ‘Spider-Man: Far From Home’ an enjoyable and mostly faithful comic book adventure for the iconic web-head.
The Lion King
The second of this year’s live-action Disney remakes: ‘The Lion King’ directed by Jon Favreau, is definitely one of the worst in my opinion, as although the film’s CGI visuals are nearly flawless, the film simply lacks any of the charm, heart and overall personality of the original film. Resulting in the remake being nothing more than an overall boring experience.
Although the film is help-up by some strong performances and some interesting ideas, ‘Little Monsters’ never manages to break the structure of your usual zombie film. Coming off as an occasionally fun yet mostly bland horror/comedy, which is just as predicable as it is dull, despite many of it’s decent comedic moments.
While I personally didn’t dislike ‘Serenity’ as much as many others, the film still suffers from a variety of issues. As director Steven Knight attempted to achieve something very different with this film, which at some points works quite well, and at others doesn’t work at all. As many of the unusual performances and can really drag down the film’s great cinematography and editing.
One of the most bland Marvel films I’ve seen for a while, ‘Captain Marvel’ focuses far too much on pushing on themes of strong female empowerment that it forgets to actually create a likable protagonist or an interesting origin story, making the film overall feel simply forgettable than anything else.
Zombieland: Double Tap
Surprisingly, ‘Zombieland: Double Tap’ was far more enjoybale than I was initially expecting. As while not as memorable as the original film for me, there were more than a few moments of humour between the excellent cast that had me laughing, despite the film’s tone going even more over-the-top than before.
Iconic director Martin Scorsese (Taxi Driver, Goodfellas, The Wolf of Wall Street) returns to bring us another tale of crime and regret with: ‘The Irishman’, and while the over three hour run-time can definitely make the film drag at points, the brilliant performances and phenomenal filmmaking are sure to keep those paying attention engaged for the majority of the film’s run-time.
Director Jordan Peele’s follow-up to his 2017 smash-hit: ‘Get Out’, was a far cry from excellent for me. As despite the brilliant reviews, I personally found the film’s story to be bloated with rushed ideas and ridiculous scenes, all adding up to a horror flick that placed more focus it’s themes than it’s narrative. Resulting in a film which was just as inconisitant with it’s tone as it was with it’s story.
The latest superhero to get his own remake is the iconic: ‘Hellboy’, with the remake this time falling far, far from the mark. As a ridiculously messy story mixed-with poor CGI effects and dreadful comedy, leave the film pleasing no-one, despite David Harbour’s decent performance as the horned hero.
Made to appear as if it was filmed entirely within one shot, ‘1917’ is a brutal, gripping and engaging story involving two soldiers who set-off in a race against time to save thousands of men from a doomed battle, and while not flawless, the film is definitely impressive for both it’s narrative and filmmaking.
Heartfelt, emotional and brimming with comedic charm, ‘Jojo Rabbit’ is another one of my favourites from this year. Being a completely different take on the war genre by giving the audience a new view of the events of the second World War All under the excellent direction of Taika Waititi (What We Do in the Shadows, Hunt for the Wilderpeople, Thor: Ragnarok).
From Lakia animation studio, the production company that brought to life many of my favorite stop-motion animated films, such as: ‘Coraline’ and ‘Kubo and the Two Strings’ comes another fun family adventure. Shame this one couldn’t have done better at the box office, as the film is wonderfully put together, featuring plenty of humorous moments alongside the great voice acting and beautiful animation.
Ready or Not
One of the most surprising films of the year for me, ‘Ready or Not’ may have your usual cliché plot for a modern-horror, but somehow the film manages to carry it through. Managing to be extremely funny, gory and fun throughout the majority of it’s run-time.
The long-awaited sequel to Stanley Kubrick’s classic: ‘The Shining’, ‘Doctor Sleep’ attempts to continue the story of the ‘Overlook Hotel’, and does so with mixed results. As although the film does pay plenty of the respect to the original film, I couldn’t help but feel the film doesn’t stand on it’s own very well, having a mostly average story with some pretty bland characters alongside.
After many poor attempts at comedies in recent days, Adam Sandler gives one of his best performances in years with: ‘Uncut Gems’, portraying a shady jeweller who’s actions and consequences carry the film from start-to-finish, despite some shaky cinematography and an unusual original score.
Although I quite enjoyed: ‘Hereditary’, director Ari Aster’s other film from 2017, ‘Midsommar’ was most certainly not for me. Feeling far too pretentious at points with a slow paced narrative and weak characters, the film’s unique ideas and decent visuals couldn’t save from becoming the boring mess it ended-up.
The Kid Who Would Be King
A decent fantasy adventure for families, ‘The Kid Who Would Be King’ directed by Joe Cornish (Attack the Block) definitely has some areas in need of improvement. As the film is full of cheesy moments and a very unfitting original score, despite it’s pretty engaging story and overall fun tone.
Many years after the original: ‘Planet of the Apes’ franchise ended, the series was rebooted in it’s entirety with a new ‘Planet of the Apes’ trilogy, with these films almost serving as prequels to the original films despite being set within their own timeline. ‘Rise of the Planet of the Apes’ was the first of this new series, and surprised many people on it’s initial release.
When a substance designed to help the brain repair itself and cure Alzheimers gives advanced intelligence to a chimpanzee named: ‘Caesar’, he soon begins to enhance other apes in order to lead an ape uprising through the city of San Francisco.
Although I was never an enormous fan of the original: ‘Planet of the Apes’ film, as I was always familiar with the sci-fi classic purely through it’s iconic plot twist near the end of it’s narrative, I personally feel that director Rupert Wyatt (The Escapist, The Gambler, Captive State) did a pretty great job overall. As despite the film having plenty of sci-fi elements throughout it’s story, the film is mostly grounded in reality, focusing more on being a tense thriller with small elements of science fiction scattered throughout.
Andy Serkis takes on the difficult role of portraying the completely CGI protagonist: ‘Caesar’, and does a superb job of it. As he manages to capture the movements and mannerisms of an ape perfectly through motion-capture (which is even more impressive when considering that the film was one of the earliest to use a motion-capture set-up on location) all whilst insuring the audience sympathises with: ‘Caesar’. In addition to Andy Serkis, the rest of the cast of James Franco, Freida Pinto, John Lithgow and Brian Cox are all decent in their roles, despite the film having the occasional cliché line of dialogue for most characters.
The cinematography by Andrew Lesnie is visually pleasing for the most part, having a variety of attractive shots as well as having plenty of movement especially when following the apes sprinting or climbing. The way many of the shots are also framed further feeds into the theme of man controlling nature (which is present throughout the film). Many of the scenes set within the ape sanctuary also link back to this theme, including my personal favourite scene of the film: ‘Caesar Speaks’, which is executed perfectly.
Despite the later films in the trilogy being composed by the fantastic Michael Giacchino, the original score by Patrick Doyle is decent throughout the film. As while it definitely doesn’t have a variety of memorable tracks, the soundtrack does back-up many of the action scenes and more emotional moments quite well. I also thought the sound design throughout the film helped add to the film’s realism, mostly through the enormous amount of ape roars, squeaks and grunts.
The CGI effects throughout the film still hold-up surprisingly well, as although the visual effects have definitely aged since the film’s initial release in 2011, and the CGI visuals are for sure the weakest when it comes to the entire trilogy. The visuals effects are still heavily detailed and feel very real when placed into their locations, which is lucky, as if not, I do feel the weak CGI effects could’ve possibly derailed some of the excellent performances from the cast. Aside from the flaws already mentioned with the visual effects however, the action scenes throughout the film are handled pretty well, as many would probably know this film mostly for it’s action set piece on San Francisco’s iconic Golden Gate Bridge.
‘Rise of the Planet of the Apes’ may not be the best film within the new trilogy, but it defeintly is a very solid start. As although the visual effects are lacking at points, the great cinematography, decent original score and brilliant motion-capture backing-up Andy Serkis’ outstanding performance, all leads this initial entry to be a solid 8/10 in my opinion.
One of Steven Spielberg’s most iconic and beloved films of all-time, ‘Jurassic Park’ based on the science fiction novel by Michael Crichton, is a classic from many people’s childhoods including my own. From it’s incredible practical and CGI effects which still hold-up today, through to it’s memorable characters and beautiful original score by John Williams. The film is a true joy to experience for all ages.
On the tropical island of: ‘Isla Nublar’, ‘John Hammond’ has become the first man in history to bring back an extinct species with genetically engineered dinosaurs. But when a tropical storm wipes out the island’s main security systems, his newly invited guests are thrown into peril amongst the prehistoric creatures.
Not only does ‘Jurassic Park’ have an extremely fun and original narrative when compared to many films before it, but the film is also very important when it comes to CGI effects, as Spielberg and his team we some of the earliest filmmakers to explore the idea of computer generated imagery and implement it into film. As Spielberg initially wasn’t impressed with many of the stop-motion effects which had been shown to him up to that point, and surprisingly, many of the visual effects throughout the film are still quite impressive, even by today’s standards for CGI.
The entire cast of ‘Jurassic Park’ are truly brilliant, as Sam Neill, Laura Dern, Richard Attenborough, Bob Peck and of course, the outstanding Jeff Goldblum who portrays: ‘Dr. Ian Malcom’ (possibly his most popular character) are all excellent in their respective roles, and despite each character not getting an enormous amount of development throughout the story, all the characters still manage to feel very varied and memorable. However, my only real issue with the film does relate to the characters, as there has always been a few scenes throughout the film where characters seem to make ridiculous decisions for no apparent reason, and while this isn’t a major problem, it can be a little irritating on rewatches.
The cinematography by Dean Cundey is unfortunately one of the weaker aspects of the film, as although the film isn’t lacking in attractive or iconic shots. The cinematography is mostly very standard for the majority of the film’s run-time, with many of the film’s most memorable shots being mostly due to the film’s practical dinosaur effects.
Probably one of the most recognisable soundtracks in history for film fans, the original score by John Williams is simply incredible throughout the entire film. Having a great blend of beautiful calming tracks in addition to many tracks that help build tension, the soundtrack is truly something to be admired, with the tracks: ‘Welcome to Jurassic Park’ and ‘Journey to the Island’ being my personal favourites.
In addition to the CGI visual effects, Stan Winston, most known for his work on iconic films such as: ‘Predator’, ‘Terminator 2: Judgment Day’ and ‘Aliens’. Created a variety of practical effects for the film, as Spielberg wanted every close-up with the prehistoric creatures to be a practical animatronic, all of which of course are completely life-size and look outstanding, this is even more impressive when considering some of the issues the filmmakers ran into when it came to the rain during the ‘T-Rex Paddock’ scene (my personal favourite scene of the film). As the Tyrannosaurus Rex animatronic would constantly break down due to enormous amount of water it absorbed, usually having to be wiped down between takes.
Personally, I don’t have many issues when it comes to the original ‘Jurassic Park’, as the film is nearly perfect in many ways for me. As a few unbelievable character choices and some small plot holes don’t take away from what is still an exciting adventure filled with great performances, some fantastic practical and visual effects as well as much more. ‘Jurassic Park’ is a film for the ages, and I definitely agree it deserves it’s place among the most iconic films of all-time. Overall, a solid 9/10.
A triumphant return back to the sliver screen for iconic director Steven Spielberg, this time taking on an adaptation of the science fiction novel: ‘Ready Player One’ by Ernest Cline. The film manages to capture that classic Spielberg atmosphere, alongside some fun visuals and action scenes. As well as many, many appearances and references from/to beloved characters and properties from all types of media, the film overall building-up to being a mostly entertaining family adventure.
When the original creator of a virtual reality world called the: ‘OASIS’ dies, he makes a posthumous challenge to all ‘OASIS’ users to find his golden easter egg, which will give the lucky finder his entire fortune as well as complete control of his virtual world.
With the film being set half in the real world and half set within virtual reality, I was initially concerned that I would get dragged out of the film due to an overuse of CGI effects. However, the film proved me wrong here, creating computer generated characters that could emote nearly as much as the actors portraying them. As the CGI and the over-the-top character designs creates an intentional clear difference between the two realties through it’s visuals, insuring the audience doesn’t become confused (which is actually played with later-on in the film’s narrative).
Mostly known as: ‘Cyclops’ in the new incarnation of the ‘X-Men’ series, Tye Sheridan does a decent job at portraying the likeable protagonist: ‘Wade Watts’. Alongside Olivia Cooke as his love interest: ‘Samantha’ as well as Simon Pegg as: ‘Ogden Morrow’ with Ben Mendelsohn and T.J. Miller as the antagonists. With every member of the cast doing pretty decent job considering their extremely weak characters, as every character we meet throughout the run-time is mostly one note. Being nothing more than your traditional hero or villain etc. But this might still be enough for some.
Although an enormous amount of the cinematography by Janusz Kaminski is very impressive, having a large amount of moving shots soaring through the breathtaking world of the ‘OASIS’, It’s difficult to judge it in it’s entirety. As the majority of the camera work is obviously CGI, due to a large amount of the film’s story being set within the computer generated world, as when we cut back to ‘Wade’s true reality, the cinematography is mostly quite bland. I do appreciate the dark colour palette however for when the film takes places in the real world, as it contrasts extremely well with the incredibly colourful visuals of the ‘Oasis’.
Despite the original score by Alan Silvestri not being one of his best, as the soundtrack isn’t nowhere near as memorable as: ‘Forrest Gump’, ‘Predator’ or ‘Back to the Future’ (which there is actually a little audio throwback to) the score is still decently effective, and does sound subtlety classic Steven Spielberg.
The main element I take issue with throughout the film is the some of the weak writing throughout, as although not awful, in addition to the weak characters. The film is also full of cheesy moments and clichés. Many have also taken issue with the enormous amount of characters from other media thrown into the film, with most seeing it as pandering and meaningless. However, I personally don’t agree with this, as this aspect is also in the original novel and adds to the idea that truly anything is possible within the virtual world. Personally, I feel these flaws are definitely most made-up for by the brilliant action throughout the film, as every action set piece from the opening race scene through to the ending battle is all pretty creative, and very enjoyable to watch.
‘Ready Player One’ definitely has it’s faults, but I’d say the film is still a decent addition to Steven Spielberg’s line-up of family flicks, as while not on the level of: ‘E.T’ for example, I did find the film mostly enjoyable from start-to-finish. As aside from some weak characterisation and some cheesy scenes, I’d recommend a trip into the ‘OASIS’ for this exciting sci-fi/fantasy odyssey. In conclusion, a decent 7/10.
A clever, dark and very grounded sci-fi film, with ‘Children of Men’ director Alfonso Cuaron (Harry Potter and the Prisoner of Azkaban, Gravity, Roma) creates a truly memorable experience. As the film’s fresh take on the science fiction genre combines some great performances, alongside decent writing and some absolutely incredible cinematography by Emmanuel Lubezki, all alongside many scenes throughout the film being done completely within one single take.
The film takes place in the year 2027, in a world in which women have somehow become infertile, as former activist (Theo Faron) agrees to help transport a miraculously pregnant woman across a war-ridden country out to a sanctuary at sea in order to save the human-race.
The narrative begins with a short peek into the grim world of the film, as our protagonist ‘Theo’ makes his way into a small café to grab a coffee. This soon leading onto a very shocking moment, which instantly establishes the tone of the film, and really helps give the audience a clear understanding of how these characters are coping with this reality. This soon lead onto the opening becoming very iconic in it’s own right (as well as my personal favourite scene of the film) and still feels very effective even today.
When it comes to the characters, all the performances throughout the film are pretty great, as every actor is really giving their all here regardless of the importance of their roles within the story. As Clive Owen, Clare-Hope Ashitey, Chiwetel Ejiofor and Michael Caine, are all terrific. Julianne Moore as: ‘Julian’ in particular was a stand-out for me however, having some very memorable moments within only a short amount of screen-time. This is also one of the few films where I must really praise the extras, as many of the continuous takes are done using enormous amounts of extras, and from the foreground through to the background, there isn’t one out-of-place extra.
Every piece of the cinematography by Emmanuel Lubezki throughout the film is nothing short of phenomenal, using hand-held camera to the best of it’s advantage. Many scenes are filmed from the perspective of the characters, placing the audience in their own tense scenarios. The dark grey colour palette of the film also lends itself well to the war-ridden country setting, as every location always feels rustic, dirty and lived-in. The original score by John Tavener is also effective, despite being used very sparingly throughout the film to further add to bleak atmosphere.
My only real criticisms with the film are related to the lack of character depth and the film’s overall pacing, as the pacing throughout the film is extremely slow, leading to many scenes feeling a little drawn-out at points. Despite this slow-pace sometimes adding to the building of tension, it feel mostly unnecessary for most of the film’s run-time. The lack of characterisation throughout the film is also a problem, as although a few characters do get some development, it’s usually few and far between, as I found myself finding more information about the characters online than within the film, luckily however, the decent writing does save this from being a huge issue.
Overall, ‘Children of Men’ is an exceptional piece of the sci-fi genre. Coming off as a very different approach than what you’d usually expect from a film such as this one, the film almost feels like more of an apocalyptic drama at points. But with a thought-provoking narrative, some amazing cinematography and fantastic cast, ‘Children of Men’ truly is a very enjoyable (if not a very bleak) piece of entertainment. An 8/10 for me, this film never fails to impress me every-time I revisit it.
Directed by Dean Devlin, most known for producing the original: ‘Independence Day’ as well as: ‘Godzilla’ from 1998. This time taking on a more traditional disaster film for his directorial debut, attempting to capture the usual scale and destruction associated with the genre, along with a few elements of international terrorism and science fiction thrown-in for good measure. Unfortunately however, this isn’t enough to save the film overall.
When a network of satellites designed to control the global climate begin to attack Earth, it’s a race against time for it’s original creator to uncover the real threat before a worldwide ‘Geostorm’ wipes out everything, and everyone.
From the first scene all the way to the last, the film felt incredibly cliché to me, as the film definitely follows a very similar structure to the majority of other disaster flicks, as well as also carrying over much of the cheesiness and terrible comedy from many of them. As although the film does have a few exciting action scenes and some entertaining weather-related chaos throughout it’s run-time, the film never really manages to break-out of it’s predictability.
Gerard Butler, Jim Sturgess, Abbie Cornish are all decent throughout the film, as while they still suffer from having the usual generic characters for a blockbuster. They do the best they can to keep the audience engaged throughout the story (for the most part). However, the film also has a few side characters which left we more than often questioning their inclusion in the film, as most of them added very little to the plot and only appeared in a few short scenes.
Roberto Schaefer handles the cinematography within ‘Geostorm’, which aside from the occasional attractive shot is mostly bland and uninspired. With many scenes throughout the film also seeming to have far too many different shots, as a simple scene of two people talking could have anywhere from three to seven different shots. The CGI within the film is also another unusual aspect, as although it’s decent throughout most of the film, there are quite a few shots where I felt it dipped massively in quality.
There are also multiple points where the film attempts to be very emotional and dramatic, but usually falls completely flat. With the film putting a large amount of focus on the original score by Lorne Balfe, which is your standard action film score, coming off as an almost entirely forgettable and bland soundtrack.
Whilst watching the film I also couldn’t help but think that there were many missed opportunities throughout, as due to the film’s mostly serious and grounded tone, the film never takes any of it’s weather attacks to any truly creative places. With the film usually just going for a decently entertaining, if not very experimental set piece. Although I understand the lack of disaster films in modern-day is a great to make the film stand-out more, I do still feel a more absurdist tone with very over-the-top action could’ve at the very least, made the film more memorable and unique.
I didn’t really have high exceptions when I first sat down to watch ‘Geostorm’, going off the mostly unexperienced director and the poor reviews from both critics and audiences alike, and although I’ve definitely seen worse in the past. I’d say the film isn’t really worth a watch, being a mostly bland and boring disaster flick despite some original aspects. There is the odd entertaining action scene or interesting visual for any massive fans of this genre, but for me it’s a low 3/10.